Have you ever wondered how to draft top patterns? The top foundation is the most basic sewing pattern out there, but that doesn’t mean the easiest. Every single drafting book has different types of foundations, so which ones are the most important ones? And how can you draft them?
First things first, it’s very important to state that this article refers only to woven fabric foundations, in other words, your fabric should not have elasticity. For instructions on elastic patterns you can go to article about elastic foundations. Also, this is my interpretation on how foundations work based on my research, if you disagree with something I would love to know! Now let’s learn how to draft top pattern.
Table of Contents
The 4 Top Foundations
Let’s start from the beginning: how many top foundations are out there?
It sounds like an easy question but the answer is not that simple. In this article I’ve broken it down to 4 foundations: The top, the dress/torso, the shirt and the jacket.
The basic foundation is the top. From there, if you combine it with the skirt, you come up with the torso/dress foundation. Finally, if you add more or less ease around the armholes you come up with the shirt and the jacket foundations.
But it doesn’t end there! There’s more to learn on how to draft top patterns. Every single foundation can be modified to get more or less ease by adding or removing darts. I’ve named these variations: basic, casual and oversized.
TOP
This Foundation is the main block all drafting books come with and it is the mother of all the other designs. This top has a tight neckline and armholes and contours around your breasts by using two darts at the front and two at the back. The pattern ends at the waist.
TORSO/DRESS
This Foundation is used for garments without a seam at the waist and the pattern is created by combining the Top foundation and the Skirt foundation (this last one can be optional).
SHIRT
As the name says, the shirt foundation is used for shirts. This foundation is an oversized version of the torso foundation with one or zero darts. Ease is added around the armholes which means this design works better with sleeves.
JACKET
This foundation is used for jackets and coats and is very similar to the dress foundation. They are considered a different block because the pattern is slightly bigger to account for the layers worn below it.
Modifying the Top Foundations
We have talked about the foundations and the waist shaping, but there’s a LOT more to look into when drafting tops. What neckline will you choose? Do you want to add a collar? What about the darts? What kind of a silhouette do you want? And length? Let’s look into all these things.
Moving Darts
A dart can be transferred to any location from a pivotal point without affecting the size or fit of the garment. The pivotal point in this case is the bust. There are two ways of transferring the darts:
- The slash method: You relocate the darts by cutting through the pattern. The bad thing about this option is that you need to draw the pattern multiple times.
- The pivotal transfer: In this case you pivot the pattern in sections and transfer the pieces separately. This option is for more advanced designers and needs less iterations.
Front Darts
When moving front darts, the lines have to cross the bust point, but once the dart has been relocated, the tip should end some centimetres before the bust:
- If only one dart is present, the tip should end 1.5cm before the actual end of the dart
- When there are two darts, the tip should end 2-2.5cm from the bust point. This rule is true for cup size B. For other sizes these are the rules:
- Cup size A: the tip should end 2cm before the bust
- Cup size B: the tip should end 2.5cm before the bust
- Cup size C: the tip should end 3.75cm before the bust
- Cup size D or larger: the tip should end 4.5cm before the bust
Back Darts
We’ve talked about front darts, but what about the back? The back also has two darts, one at the waist and one at the shoulder and their tips don’t touch each other. The waist dart can be ignored and used as ease, but the shoulder dart should be relocated if it interferes with a design detail. These are some ways of moving it:
- Option 1: Divide the dart along the shoulder, the armhole and the neckline. This will add ease to all these lines but might cause gaping. To avoid gaping, you can add a facing to the design and make it a bit smaller to reduce the gaping.
- Option 2: Transfer the whole dart to the neckline. This will cause gaping around the neckline.
- Option 3: Transfer it to the armhole. This will cause gaping but if you add sleeves it will not be visible.
These are the main rules when moving darts, so let’s look at other ways of using them
From Darts to Silhouette
Now that you know all the tips and tricks on how to move darts, it’s time to get creative! Darts can also be divided into multiple openings and treated as single design units.
- Graduated darts: The darts vary in length within a group
- Radiating darts: The darts are spread out from a focal point
- Parallel darts: As the name says they are parallel and you can do that by creating parallel lines to the end points
- Asymmetric darts: These are darts that cross the centre front of the garment. To draft this you’re going to need the full bodice block instead of only one half
- Intersecting darts: These resemble asymmetrical darts because they cross the centre front but they intersect with each other
- Style-lines: You can always connect two darts and separate the pattern into two pieces by creating style-lines like the princess seams. The style-lines can go through the bust point or not, but the ones that don’t, are not considered dart equivalents.
It’s all about having fun. Remember that the darts can be straight or curved and you can always combine darts with gathers, so dream big!
From Darts to Volume
Until now we’ve only talked about darts to create shape, but they can be used in many other ways. They can be illustrated as tuck darts, pleats, flares and gathers:
- Darts: This is the option we’ve been talking about and they are stitch all the way through creating a cone shape.
- Tuck darts: these are darts that are partially stitched which still gives you shaping around the bust but ends in flare at the bottom.
- Pleats: In this case the dart equivalent is transferred into a pleat. This means the dart is only stitched in one place and it looses the cone shape.
- Flare: The dart is not stitched and it creates flare. The amount of flare will depend on the size of the dart but I would advise you to use fabrics that drape well if the dart is on the big side.
- Gathers: This is very similar to the flare but in this case you gather all the flare at the bottom. This creates little pleats that will accommodate to the shape of your body.
Necklines
Another design change that can be done to the pattern is altering the neckline. There are countless types of necklines but they can be grouped into four: the low, the high, the cowl and the collar.
- Low neckline: These necklines cut into the pattern to create a lower or wider shape. To draft these you need to know the basics of pattern contouring as just cutting through the pattern will create unwanted gaps.
- High neckline: These are build up necklines that extend above the base of the neck. Turtleneck is a clear example of this type.
- Cowl neckline: This neckline is created by fabric falling down. The cowl necklines are cut on the bias and normally use fabrics that have a nice drape, so it’s definitely more of an advanced neckline.
- Collars: these last necklines are normally constructed as a separate piece of fabric attached to the structure and it helps frame the face.
This is a working document and I will keep adding to it the more I learn, so keep it saved! If you want to know more on how to draft trouser patterns, techniques or similar, take a look at the posts below and have fun.